serpentine.iii
Continuo Foundation grantee
Supported by Continuo Foundation
The group creates immersive performances in which sound, space, and image evolve together. Rather than presenting music within a fixed concert format, serpentine.iii invites audiences into a shared journey—one where the performance environment transforms and responds to the musical narrative in real time.
The collective is led by Ozgur Kaya, Miki Piszczorowicz, Purdey Williams, and Hope Cramsie. The group encompasses a baroque trio, an early music consort, electronic musicians, composers, fashion designers, and visual and digital artists. Rooted in historical classical performance, the sound of serpentine.iii is shaped by contemporary and electronic influences, exploring how old practices can be reactivated through modern sensibilities. These performances blur the line between concert, installation, and shared ritual.
The collective has been generously supported by the Continuo Foundation and featured in publications such as The Strad and PLASTER.
Biography
serpentine.iii (formerly Serpentine Trio) is a London-based multidisciplinary collective specialising in music and visual arts.
The group creates immersive performances in which sound, space, and image evolve together. Rather than presenting music within a fixed concert format, serpentine.iii invites audiences into a shared journey—one where the performance environment transforms and responds to the musical narrative in real time.
The collective is led by Ozgur Kaya, Miki Piszczorowicz, Purdey Williams, and Hope Cramsie. The group encompasses a baroque trio, an early music consort, electronic musicians, composers, fashion designers, and visual and digital artists. Rooted in historical classical performance, the sound of serpentine.iii is shaped by contemporary and electronic influences, exploring how old practices can be reactivated through modern sensibilities. These performances blur the line between concert, installation, and shared ritual.
The collective has been generously supported by the Continuo Foundation and featured in publications such as The Strad and PLASTER.
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