CONCERT #2
J. Haydn || Divertimento in F for oboe, viola and cello (after Baryton trios)
F.J. Haydn/F. Rosinack || Quartet for oboe, violin ,viola and cello after op.50 n.1
interval
Ignaz & Anton Bock || 4 pieces for 2 horns and cello
P. Wranitzky/J. Haydn || Divertimento in B flat - after quartet Hob III:69

ISTANTE COLLECTIVE
Flute: Eva Caballero
Oboe: Nicola Barbagli
Horns: Dave Horwich & Peter Moutoussis
Doublebass: John-Henry Baker

CONSONE QUARTET:
Violins: Agata Daraškaite, Magda Loth-Hill
Viola: Elitsa Bogdanova
Cello: George Ross

Arranging popular repertoire for a different scoring has always been common practice in music. A symphony turned into a piano duet or an aria into a string quartet, but almost never a Haydn quartet arranged as a nonet, as in this case by Paul Wranitzky (Haydn’s favourite Vienna Konzertmeister). We will enlarge the lens into the unusual pathway that Wranitzky followed to ‘colour’ and ‘re-imagine’ those Haydn masterpieces, together with music by Anton Wranitzky, F. Rosinack, W.A. Mozart & M. Haydn. Haydn's last, unfinished quartet will end the project together with an unusual original arrangement of ‘the chaos’ from The Creation.

A storyteller, a musicologist, and a Risio-printed visual guide will help the audience (and us!) to immerse themself in this full-experience and to enjoy Haydn’s music under a totally new point of view.