CONCERT #1
F.J. Haydn/F.J. Rosinack || ‘Die Vorstellung des Chaos’ from The Creation for oboe,
2 violins, viola and cello
M. Haydn || Divertimento in C for oboe, viola and basso HM101
interval
W.A. Mozart/J. Wendt || ‘Ah taci ingiusto core’ from Don Giovanni & ‘Finale Act 1’ from
Così Fan Tutte for flute, violin, viola and cello
P. Wranitzky/F.J. Haydn || Divertimento in E flat major after quartet HOB III:71

ISTANTE COLLECTIVE
Flute: Eva Caballero
Oboe: Nicola Barbagli
Horns: Dave Horwich & Peter Moutoussis
Doublebass: John-Henry Baker

CONSONE QUARTET:
Violins: Agata Daraškaite, Magda Loth-Hill
Viola: Elitsa Bogdanova
Cello: George Ross

Arranging popular repertoire for a different scoring has always been common practice in music. A symphony turned into a piano duet or an aria into a string quartet but almost never a Haydn quartet arranged as a nonet, in this case by Paul Wranitzky (Haydn’s favourite Vienna Konzertmeister). We will enlarge the lens into the unusual pathway that Wranitzky followed to ‘colour’ and ‘re-imagine’ those Haydn masterpieces, together with music by Anton Wranitzky, F. Rosinack, W.A. Mozart & M. Haydn. Haydn's last, unfinished quartet will end the project together with an unusual original arrangement of ‘the chaos’ from The Creation.

A storyteller, a musicologist, and a Risio-printed visual guide will help the audience (and us!) to immerse themself in this full-experience and to enjoy Haydn’s music under a totally new point of view.