CONCERT #3
A. Sacchini - 3 minutes for 2 violins, 2 horns and bass
W.A. Mozart/F. Rosinack || Quintet in D minor for oboe, 2 violins, viola and cello - after K421
interval
P. Wranitzky/J. Haydn || Divertimento in D major after quartet Hob III: 70
F.J. Haydn || ‘unfinished’ quartet in D minor Hob.III:83
F.J. Haydn/J. Jones || Divertimento in C HOBII:11 ‘the birthday’

ISTANTE COLLECTIVE
Flute: Eva Caballero
Oboe: Nicola Barbagli
Horns: Dave Horwich & Peter Moutoussis
Doublebass: John-Henry Baker

CONSONE QUARTET:
Violins: Agata Daraškaite, Magda Loth-Hill
Viola: Elitsa Bogdanova
Cello: George Ross

Arranging popular repertoire for a different scoring has always been common practice in music. A symphony turned into a piano duet or an aria into a string quartet, but almost never a Haydn quartet arranged as a nonet, as in this case by Paul Wranitzky (Haydn’s favorite Vienna Konzertmeister). We will enlarge the lens into the unusual pathway that Wranitzky followed to ‘colour’ and ‘re-imagine’ those Haydn masterpieces, together with music by Anton Wranitzky, F. Rosinack, W.A. Mozart & M. Haydn. Haydn's last, unfinished quartet will end the project together with an unusual original arrangement of ‘the chaos’ from The Creation.

A storyteller, a musicologist, and a Risio-printed visual guide will help the audience (and us!) to immerse themself in this full-experience and to enjoy Haydn’s music under a totally new point of view.